1. Allegro moderato, 2. Andante (Sehr feietlichund langsam), 3. Scherzo (Sehr schnell), 4. Finale (Bewegt. doch nicht schnell) REVIEW ...despite his relative inexperience, Nézet-Séguin achieves both delicacy and power...A remarkable achievement. -- John Terauds in the Toronto Star, February 2007Instead of generating the expected youthful excitement typical of young artists, Nezet-Seguin is supremely contemplative. Most events are heralded with a slowing of tempo to make room for revelations with pure grandeur... Unquestionably Nezet-Seguin is a conductor with deep convictions and great courage. -- Philadelphia EnquirerThis is the finest Bruckner I have heard from a young conductor since Franz Welser-Möst started shaving... -- Norman Lebrecht in La Scena Musicale, February 2007 ABOUT THE ARTIST At 32, Yannick N?zet-S?guin is chosen unanimously by the musicians to become Music Director of the prestigious Rotterdam Philharmonic Orchestra, beginning with the 2008-2009 season, succeeding Valery Gergiev. Artistic Director and Principal Conductor of the Orchestre M?tropolitain du Grand Montr?al since March 2000, he has brought this orchestra to musical summits and unequalled popularity, sharing with his musicians rigor and passion for music of different styles as well as deep respect for their audiences. Beginning September 2008, he will hold concurrently the functions of Principal Guest Conductor of the London Philharmonic Orchestra. Maestro N?zet-S?guin conducts some of the greatest orchestras in the world, such as the Dresden's Staatskapelle, Stockholm, Birmingham, Toulouse, Lyon, Sydney and New Zealand orchestras, the Orchestre national de France, the Scottish Chamber Orchestra, the Swedish and Frankfurt Radio orchestras, the Rundfunk Sinfonieorchester Berlin and the Chamber Orchestra of Europe with whom he is developing a regular relationship. 2008-2009 will mark his d?but with the Deutsches Symphonie Orchester Berlin, the Wiener Symphoniker, the Z?rich Tonhalle Orchestra, the Los Angeles Philharmonic, the Philadelphia Orchestra and the Boston Symphony. In Canada, Yannick N?zet-S?guin is also invited to conduct the Toronto and the Vancouver Symphonies, the Ottawa National Arts Centre Orchestra and the Victoria Symphony where he has been Principal Guest Conductor from 2003 to 2006. As an opera conductor, after a fabulous success in June 2008 with Madama Butterfly at l'Op?ra de Montr?al, he is making his d?but at the famous Salzburg Festival with the Mozarteum Orchester in a new production of Gounod's Rom?o et Juliette. In May-June 2009, he will conduct the Rotterdam Philharmonic Orchestra for nine performances of Janacek's Makropoulos Case in Amsterdam. His d?but at the Metropolitan Opera New York are scheduled for early 2010. Born in Montreal in 1975, Yannick N?zet-S?guin began piano lessons at the age of five and later entered the Conservatoire de musique du Qu?bec ? Montr?al where he studied piano with Anisia Campos and composition, chamber music, and conducting. He received five first prizes from this institution. While attending the Conservatoire, Yannick N?zet-S?guin also studied choral conducting at Westminster Choir College in Princeton, New Jersey and, in 1995, founded the vocal and instrumental ensemble La Chapelle de Montr?al. He continued his training with a number of famous conductors; among them, in 1997 and 1998, he worked with the great Italian conductor Carlo Maria Giulini for whom he still has deep affection and inspiring admiration. Over the years, he has earned many coveted prizes, such as the Virginia Parker Prize awarded by the Canada Council for the Arts and several "Prix Opus" granted by the Conseil Qu?b?cois de la Musique. As a professional pianist, he still finds time for occasional appearances in duo recitals and chamber projects. He records for the dynamic Canadian company ATMA Classique and all his recordings with the Orchestre M?tropolitain have been awarded prizes and have received the highest comments in the specialized international magazines. Recently, his recording of La Mer, a collection of pieces from Debussy, Britten and Mercure on the theme of the sea, with the Orchestre M?tropolitain, was acclaimed by critics and public alike. His new live recording (Beethoven - Strauss) with the Rotterdam Philharmonic Orchestra and produced by them is very well received.See more