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Panasonic AG-HPX250 P2 (NTSC) HD Handheld Camcorder - US Version w/ Seller Warranty

Model Number: AG-HPX250PJ
Web Code: 14674055

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Overview

1/3-Type 2.2 Mp 3MOS ImagerIntegrated 22x (28-616mm Equiv) Lens10-Bit AVC-Intra Recording at 100 Mb/sDVCPRO HD & SD RecordingVariable Frame Rates & 24p Modes3.45 1920 x 480 LCD MonitorDual P2 Memory Card SlotsManual Zoom, Iris, Focus RingsHD-SDI, HDMI & Composite OutputsNTSC & PAL
$5099

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Overview

1/3-Type 2.2 Mp 3MOS ImagerIntegrated 22x (28-616mm Equiv) Lens10-Bit AVC-Intra Recording at 100 Mb/sDVCPRO HD & SD RecordingVariable Frame Rates & 24p Modes3.45 1920 x 480 LCD MonitorDual P2 Memory Card SlotsManual Zoom, Iris, Focus RingsHD-SDI, HDMI & Composite OutputsNTSC & PAL

The Panasonic AG-HPX250 P2 HD Handheld Camcorder is the first handheld professional camcorder model to record the extremely high-quality AVC-Intra 100 Mb/s (10-bit 4:2:2) codec. Featuring an integrated 22x zoom lens and a 2.2 Mp 1/3-type 3MOS imager, the versatile HPX250 records not only AVC-Intra but also several flavors of DVCPRO (including DVCPRO HD) as well as DV. A variety of frame rates are possible in DVCPRO modes, for native slow- and fast-motion effects.

For video that will later endure heavy processing in the form of effects and other processes, the intra-frame compression options of the HPX250 are crucial. The AVC-Intra 100 codec is a perfect choice for any projects that involve tasks such as greenscreen shooting. The HPX250 could thrive as the second camcorder on an independent feature production, or as the go-to model for a freelance videographer who does a variety of jobs, from SD to HD – and with support for PAL/NTSC signal systems, it will cross oceans without missing a beat. Its compact size makes it hard to leave at home.Panasonic Optical Technology

The HPX250s high-performance 22x zoom lens was designed specifically for professional HD video production. Sharing the wide-angle capability found in the DVX and HVX series, the lens offers some additional telephoto capability for a 28-616mm (35mm equivalent) zoom range. The lens combines 18 elements in 12 groups and adds an ultra-high refractive (UHR) glass element, a low-dispersion element, and aspheric elements. Unique to Panasonic, Chromatic Aberration Compensation (CAC) technology minimizes color bleeding in the surrounding image and achieves rich expression by way of finely rendered nuances and excellent shading

Manual Control Rings

Three manual rings – mechanical (cam-driven) zoom, focus, and iris – allow you to operate as if youve got an interchangeable-lens camcorder, for fine, tactile control over the parameters of the captured image

Optical Image Stabilization

To compensate for any shaking of the operators hand, the HPX250 features an optical image stabilizer (OIS)

High-Sensitivity, Low-Noise 3MOS Image Sensor

Thanks to Progressive Advanced Processing (PAP) technology, high sensitivity up to F10 (F11 in 50 Hz mode) is possible, for low-noise performance in dimly lit environments. The 1/3-type 2.2 Mp 3MOS sensor features the same Ultra Luminance Technology (ULT) thats incorporated in Panasonics shoulder-mount P2 HD broadcast camcorders. This sensor maximizes the performance of the lens and the signal processing circuit in standard conditions

Flash Band Compensation

The CMOS sensor system uses a rolling shutter system that sequentially scans each line of pixels, thereby lowering power consumption vs. CCD cameras and enabling high-speed drive. But because the exposure timing differs for each line, when an external flash is used, it tends to produce images with a divided level of brightness from top to bottom. The HPX250 ameliorates this flash-band effect: it detects by comparing frame pairs and compensates to adjust the level

20-Bit Digital Signal Processor

The AG-HP250s high-performance 20-bit DSP handles rendering processes such as gamma and detail-enhancement functions with uncommon precision

Dynamic Range Stretch (DRS)

The DRS function automatically suppresses blocked shadows and blown highlights in scenes that involve wildly varying contrast levels (such as indoor vs. outdoor elements in the same frame). DRS estimates a gamma curve and knee slope to match the contrast of each pixel and applies them in real time, producing excellent gradation for each shade and minimizing blocked shadows and blown highlights

Seven-Mode Gamma for Rich Gradation

Drawing upon the technology of the high-end VariCam line, the HPX250 features gamma functions for seven shooting scenarios, including two cinema modes: HD NORM (for standard HD recording), LOW (flattens out a high-contrast scene); SD NORM (for standard SD recording); HIGH (softens contrast and expands the tone of dark parts, making an image brighter); B.PRESS (sharpens the contrast compared to LOW); CINE-LIKE D (prioritizes dynamic range); and CINE-LIKE V (prioritizes contrast)

Other Camera Image Settings

The cameras shutter speed is variable from 1/6 to 1/2000 second, plus theres a Synchro Scan function. As with gamma, matrix setting includes a Cine-Like mode. H & V detail levels are adjustable, as are detail coring and skin-tone detail. Thats not all: chroma level, chroma phase, color temperature, and master pedestal are all adjustable as well. The camera offers four settings for knee point: Auto, Low, Mid, and High

Focus Assist Function

A convenient Focus Assist button expands the center of the LCD screen, allowing you to check for correct focus quickly & easily. A Focus Bar that indicates the focus level can be displayed on the LCD

Scene File / User File

The HPX250 features a dial for Set Scene, which allows you to choose an appropriate matrix of settings instantaneously. You can modified the six preset files if youd like, one set of which can be stored internally in the camcorder, and four more can be stored on an SD memory card

Three-Position Gain Selector + Super Gain

The three-position Gain Selector contains Low, Medium, and High settings. To each setting you can assign gain value of 0, +3, +6, +9, +12, +15, and +18 dB. Also, there are Super Gain settings of +24 and +30 dB

Simplified Waveform & Vectorscope

The AJ-HPX250 has waveform and vectorscope display functions for analyzing a captured video signal on the LCD

Five User Buttons

A total of five user buttons can be set to trigger any selection of 18 different camera functions

Full-Pixel, Full-Sample AVC-Intra Recording (10-Bit, 4:2:2)

The HPX250 is the first handheld camcorder to offer 10-bit AVC-Intra recording (at both 100 and 50 Mb/s). Based on highly advanced MPEG-4 AVC/H.264 compression, this codec employs intra-frame compression, which results high image quality – especially in the edit suite, where inter-frame codecs can start to break down. Both AVC-Intra 100 and 50 modes are offered – as is DVCPRO HD, for compatibility with that very popular format. For 1080i/p, AVC-Intra 100 uses full-pixel 1920 x 1080 frames, with 10-bit quantization (4:2:2). The very bit-efficient AVC-Intra 50 codec records 1440 x 1080 video at 10-bit, 4:2:0

Native Recording & Pulldown Modes with PAL/NTSC Support

For cinematic 24-frame-per-second projects, the HPX250 supports 1080p recording at 23.98 fps (29.97 fps is also possible). For PAL regions, the camcorder is capable of recording at 1080/25pN and 720/25pN. The camcorder also records natively (without pulldown) in 720p modes, which results in recording efficiency that allows you to record for 2 to 2.5 times the duration allowed by pulldown recording. In pulldown mode with the DVCPRO HD codec, the camera applies a 2:3 pulldown to 23.98p, and a 2:2 pulldown to 29.97p, to record 1080/59.94i or 720/59.94p and 1080/25p over 50i or 720/25p over 50p. With 2:3:3:2 advanced pulldown, the 23.98pA mode is supported, allowing editing on many NLE systems with little image degradation. The camcorder also features a 59.94/50 Hz selector for worldwide compatibility and SD image acquisition with either 480 or 576 lines and aspect ratio conversion (select Side Crop, Letter Box, or Squeeze). This is an internationally compatible camcorder that can fit seamlessly into almost any production workflow

High-Quality 4-Channel Audio

The AG-APX250 records high-quality 16-bit audio on all four channels. Freely select the audio source for each channel, choosing from built-in mic, external mic, and line in. Adjust the volume level for each channel

Dual P2 Memory Card Slots

P2 cards offer capacities of up to 64GB, and the HPX250s dual P2 memory card slots enable extended continuously recording times and Hot-Swap recording.

MXF File-Based Recording

File-based recording e

Support

Built-in Storage - Capacity GB
0 GB

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