Diva: Dinosaur Impersonating Virtual Analogue synthesizer.
Diva captures the spirit of five decades of analogue synthesizers. Oscillators, filters, and envelopes from some of the greatest monophonic and polyphonic synths of yesteryear were meticulously modelled for unmatched analogue sound. More than a single synthesizer: Recreate an old favourite or mix-and-match modules to design your unique hybrid.
•Authentic, award-winning analogue sound
•Mix-and-match panels for custom layouts
•Per-voice oscillator detune and user-definable modulation source
•Zero delay feedback (ZDF) filter design for authentic resonance behaviour
•3 ADS(S)R envelope models based on classic synth hardware with keyboard follow and velocity scaling
•5 oscillators models based on classic synth hardware
•5 filter models based on classic synth hardware
•2 host-syncable LFOs with multiple waveforms, restart options and phase controls
•2 stereo effects slots, each with chorus (3 modes), phaser (2 modes), plate reverb, delay, rotary speaker
•Host-syncable arpeggiator with continuous rate offset, swing, various progression options
•MIDI learn page and editable list
•Resizable UI from 70% to 200%
•Over 1200 factory presets
•NEW in v1.4.5: Support for Oddsound MTS-ESP
Oscillators and Filters
The filters are at the heart of Diva’s analogue sound. A combination of realtime circuit simulation and zero delay feedback (ZDF) design gives Diva its remarkable sound. With ZDF, the delays normally produced when modelling analogue circuits are vastly reduced, resulting in a much more authentic resonance behaviour. (If you are interested, Urs wrote an in-depth blog post Link about ZDF.)
Diva models five different filters found in classic hardware synthesizers. All filters have modulation options and the traditional cutoff and resonance controls, but each has its character, quirks and options.
Like the filters, Diva’s oscillators are also modelled on classic hardware. The five models offer a wide range of different characteristics that fundamentally affect the overall sound, giving you a broad palette to start with for your next riff, bass and pad.
All five share common controls: waveform selection, octave range, mix or independent output volume controls, a noise source and plentiful modulation options. Plus a few touches unique to each model.
Effects and envelopes
Oscillators and filters get your sound humming, but a little polish and refinement make it sing.
Switching oscillators and filters on or off like an organ would be very limiting. Envelopes provide more nuanced and engaging results. Diva has two slots—one dedicated to the amplifier, the other to the filter—both with three models to choose from. Craft gently rising sounds, notes that fade slowly into the distance, or sharp percussion.
Subtle Details
Small details can transform static, lifeless sounds into something much more lively and organic.
The Trimmers panel is where you can make your sounds feel more analogue. Control voice detuning per oscillator, adjust variance between individual voices (round robin), voice drift and more—adding life to your music. These options mirror the inherent variations in analogue hardware. As the circuit boards are not always 100% the same (due to component tolerances), oscillator tuning may differ slightly, some envelopes are a little less snappy. The individual effects may be subtle, but they add up to a more authentic analogue sound.